Writing of trauma or traumatism of writing in Le seuil du moment of Leila Hamoutene

Abstract

This article aims to understand to what extent Leila Hamoutene in her novel Le seuil du moment published in 2021 proceeds to the writing of the individual trauma of its protagonists, associated with the national drama of the 90s. Which leads to a traumatism of writing which is manifested through polyphonic games, vectors of multiple narrative voices and signs of traumatic memories ending with the popular and peaceful movement of Hirak which takes on the therapeutic function of healing?